In this body of work I start from my own landscape photographs and subject them to a fixed procedure of fragmentation and reassembly.
Each image is broken into a regular grid and recomposed without privileging continuity, horizon, or spatial coherence.
Through this process, the landscape is stripped of its descriptive and pictorial function, and of its role as a coherent place. Familiar visual cues—sky, water, ground—are reduced to interchangeable units and redistributed across the image.
The landscape no longer operates as a view or a destination, but as a field of visual material organised by a neutral structure.
Meaning emerges not from the represented scene, but from the systematic removal of the landscape’s conventional unity.