Deconstructed Landscape is based on existing long-exposure photographs fragmented and reassembled into a fixed 8×8 grid. The original composition is dismantled through a systematic process that removes continuity, orientation, and hierarchy.
The landscape is treated as surface rather than place. Water, sky, and land are reduced to interchangeable tonal units, shifting attention away from representation toward structure. Meaning, if present, emerges only through repetition and accumulation.