With this project, I wanted to challenge my own vision of the landscape. We are used to considering a photograph of nature as an indivisible whole; a moment of contemplation of what stands before us. I chose to do the opposite: I took that horizon and treated it as raw material to be dismantled, piece by piece.
By working on the systematic deconstruction of these views, I reduced the territory to a sequence of fragments. Within this grid, the sea, the rocks, or the sky lose their names, becoming simple variations of tone, contrast, and geometric shapes. I am interested in that moment of uncertainty where the eye tries to reassemble the entire image, only to collide with the rigor of modularity.
The result is no longer the chronicle of a place, but an inventory of parts. In a world saturated with panoramic and spectacular images, I prefer to offer a broken landscape: an archive of segments that forces the viewer to look not at what is photographed, but at how we perceive it when it is reduced to its minimum terms. It is not a view; it is a construction.