In this body of work I isolate photographic images of eyes and reduce them to narrow horizontal strips.
The fragments are arranged into fixed groups of six, forming composite images governed by repetition and uniform structure.
By removing the face, the body, and any contextual information, the gaze is stripped of identity and individuality.
What is commonly read as expression or subjectivity becomes a recurring visual unit, detached from the person it once belonged to.
The work examines what remains of visual contact once the gaze is reduced to a mechanical, interchangeable element within a system.