In this body of work I photograph architectural façades using a viewpoint that deliberately alters their vertical orientation.
By compressing depth and reducing vertical structures to horizontal fields, the image destabilises the conventional reading of architecture.
Perspective is no longer used to describe space, but to flatten and reorganise it.
What appears solid, functional, and spatial becomes a surface, a pattern, an abstract construction.
The series questions what remains of architecture once its spatial logic is visually dismantled through photography.