Deconstructed Architecture

London’s skyline is often seen as a symbol of power and modernity—glass and steel monuments towering above the streets. Yet, when viewed from below, these structures lose their traditional sense of scale and function. This series reinterprets the urban landscape, transforming office buildings into abstract compositions where perspective and reflection challenge our perception of space. By photographing skyscrapers from a low vantage point, I strip them of their conventional verticality, flattening their facades into geometric forms that appear weightless. Glass surfaces act as shifting canvases, distorting reality and blurring the boundary between structure and sky. Lines and angles dominate the frame, creating compositions that feel more like architectural sketches than physical buildings. In this exploration of London’s corporate architecture, height and dominance give way to a study of surfaces, patterns, and illusions. Each image captures the dynamic interplay of light and structure, where rigid materials take on an ephemeral quality. The city is no longer a place of towering monoliths but a fragmented, ever-changing landscape of form and reflection.