I photographed commercial buildings in central London using a perspective that forces the viewer's perception and challenges their traditional points of reference. The idea was to deceive the eye through top-down framing, transforming vertical facades into flat, two-dimensional surfaces that appear, paradoxically, walkable and traversable.
Unlike traditional architectural photography, which provides context and suggests the structure's function, my approach aims to eliminate every environmental and narrative remnant. Through this optical game, the architecture is decontextualized and reduced to a pure geometric pattern. What remains is no longer the bulk of a building, but a rigorous system of lines, grids, and reflections, emphasizing a vision of urban space as pure abstract composition and a sequence of visual data.