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In this body of work I appropriate magazine covers from widely circulated publications and subject them to a fixed process of vertical fragmentation and random reassembly.
The masthead remains partially legible, preserving the authority and recognisability of the publication, while its original content is irreversibly disrupted.
Images, faces, headlines, and narratives are reduced to vertical traces that no longer convey coherent information.
What survives is not meaning, but structure: branding, visual rhythm, and graphic identity detached from their message.
The work questions what remains of images and information once their communicative function has been systematically dismantled.