I subjected the covers of iconic magazine titles to a process of algorithmic decomposition and recombination. The method involves dividing the surface into vertical strips, randomly shuffled yet bound by the rigor of their original sequence.
My idea was to isolate the persistent visual authority of the media through the systematic destruction of its informative content. What remains is the publication’s graphic framework: a trace of power that survives the dissolution of faces, news, and events.
In this database of images, the brand's identity emerges from a disrupted signal, shifting editorial hierarchy into pure serial abstraction.