In this series of pictures I divided the frame into two sharp zones using architectural elements as screens: an opaque mass occupying half of the surface and a sliver of urban reality persisting in the other half. The act of photographing becomes a practice of systematic subtraction, where the building ceases to be a volume and is transformed into a visual obstacle that denies depth and forces the eye to focus on an isolated fragment.
The repetition of this pattern turns the landscape into a sequence of closed thresholds, where what is revealed gains value precisely because of what remains hidden. What remains is the tension between an impenetrable block and the surviving space, turning the act of looking into an exercise in partial and rigorous observation.