Boundary Conditions is built on a fixed visual procedure applied to urban edges.
I photograph the point at which a wall or architectural surface interrupts the field of view, dividing the frame into two equal zones, always under the same conditions.
I do not attempt to balance the composition or resolve the space beyond the boundary. Depth, continuity, and spatial flow are deliberately constrained.
The work is not concerned with the function of the buildings or with the specificity of place. What remains is a condition: obstruction, limitation, and partial visibility.
Each image is one instance within a closed system. Meaning does not reside in a single photograph, but emerges through repetition and comparison across the images.