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I imagined Prototypes as an impossible archive: a catalogue of bodies generated by artificial intelligence, yet documented with the rigor of an era when AI did not yet exist.
In this work, I borrowed the cold language of scientific photography and industrial records to treat the human figure as a standardized, measurable, and reproducible object. I am not looking to tell a story through these images; I am looking for their credibility. Each shot functions as a plate in a taxonomy where the future disguises itself as the past.
In this ambiguous space, anatomy becomes pure design and identity is reduced to a simple serial variation. The sense of unease that emerges does not stem from the monstrosity of the subjects, but from the calm normality with which I have filed and preserved the anomaly.
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